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Theories based on surface-structures comparisons involve the use of elaborate sets of rules for matching corresponding structures, whereas those based on deep-structures involve transformational analyses employed in teaching the methods of translation. Functional Theories The s and s witnessed a shift from the static linguistic typologies of translation and the emergence , in Germany, of a functionalist and communicative approach to the analysis of translation.

These theories subsume the early work on text type and language function, the theory of translational action, skopos theory Baker, ; and Shuttleworth and Cowie, 2oo and text- analysis model. Text- type Theory Built on the concept of equivalence, which is the milestone in linguistic theories, the text, rather than the word or sentence, is deemed the appropriate level at which communication is achieved and at which equivalence must be sought Reiss , Reiss links the functional characteristics of text types to translation methods.

The main characteristics of each text type can be summarized as follows pp. Operative: The purpose is to induce behavioural responses, i.

Audiomedial: It refers to films and visual or spoken advertisements which supplement the other three functions with visual images, music, etc. These methods can be described as follows: 1. The TT of an informative text should transmit the full referential or conceptual content of the ST. The TT of an expressive text should transmit the aesthetic and artistic form of the ST. The TT of an operative text should produce the desired response in the TT receiver.

The translation should create an equivalent effect among TT readers. The text type approach moves translation theory beyond a consideration of lower linguistic levels, the mere words beyond even the effect they create, towards a consideration of the communicative purpose of translation Munday, The theory stresses the production of the TT as functionally communicative for the reader, i.

Nord elucidates that translating i. The skopos theory is criticized by the linguistically oriented approaches on the ground of the oversimplification that is inherent in functionalism, the focus on the message at the expense of richness of meaning and to the detriment of the authority of SL text Newmark, ; in Baker, Another criticism of this theory is that even though a translation may indeed fulfill its intended skopos perfectly well, it may nevertheless be assessed as inadequate on other counts, particularly as far as lexical, syntactic, or stylistic decisions on the microlevel are concerned.

They do not completely overlook language structures, instead they deal with it at a higher level in accordance to their functions in the communicative process.

These structures may involve rhetorical devices or figures of speech such as simile, metaphor, irony, hyperbole, etc. These theories require the translator exhibit language competence as well as language performance. Interpretative Theory or Theory of Sense This theory, originally designed to reflect the processes which are involved in conference interpreting, is associated with a group of scholars known as the Paris School.

It is a reaction against some of the restricted views of linguistics of the time. The corollary is that the focus should be on the intended meaning or the sense rather than the words of the ST. Systems Theories 3. Polysystem theory also offers three insights into translation Baker, : 1. It is more profitable to view translation as one specific instance of the more general phenomena of inter-systemic transfer. Instead of limiting the discussion to the nature of the equivalence between ST and TT, the translation scholar is free to focus on the TT as an entity existing in the target polysystem.

The approach to translation would accordingly be target-oriented, aiming at investigating the nature of the TT in terms of the features which distinguish it from other texts originating within a particular system. Furthermore, TTs cease to be viewed as isolated phenomena, but are rather thought of as manifestations of general translation procedures which are currently prevalent in the target polysystem.

The TT is not simply the product of selections from sets of ready-made linguistic options, instead shaped by systemic constraints of a variety of types of language structure in addition to genre and literary taste. Accordingly, translation process is deemed a rewriting process and the translator is a re-writer who can alter or manipulate the ST in such a way as to be acceptable in the target language and culture.

Aesthetic Communication theory The above theory, we propound, is creativity-oriented specifically for literary translation, which is essentially an aesthetic communication between the translator and the target reader.

It is also based on the nature of literature be it original or translated. It is perhaps conspicuously indisputable that literary translation, just like literary original composition, is not only informative, i.

It performs a semantic and aesthetic binary function. In point of fact, information in literary texts is aesthetically framed, which distinguishes such texts from non-literary ones. Literary composition, be it original or translated, is a dynamic texture of vivid stylistic variations, it has no room for monotony, dullness and stagnation. To this end, it employs a foregrounded structure, highly elevated style and literary diction.

As-Safi, Likewise, literary translation which should ideally be a work of literature is dynamic rather than static: it should be more like AN original rather than THE original work of art. Be appropriate, i. The following figure illustrates that translation is essentially a communicatively manipulated act. By necessity, he reads each word and each sentence in the ST as carefully as a critic before he transfers and finally composes it in the TL.

Such a transference and composition can never be achieved through literal, i. Such a translation impedes the translator's work and stifles his creativity which is a manifestation of his competence and intelligence.

There is nothing new in repudiating literalism in translation, on which there is now almost a general consensus. Ideas are common to the understanding of all men but words and manners of speech are particular to different nations. Bracketing is Lefevere's. Relevance Theory Relevance theory is associated with pragmatics, which is primarily concerned with how language is used in communication, particularly with the way meaning is conveyed and manipulated by the participants in a communicative situation.

The former use is explicated by Gutt as follows: The fundamental characteristic of the interpretive use of language is not just the fact that two utterances interpretively resemble one another, but that one of them is intended to be relevant in virtue of its resemblance with the other utterance. In other words, relevance theory endeavours to give an explicit account of how the information-processing faculties of the mind enable us to communicate with one another.

Its domain is therefore mental faculties rather than texts or processes of text production Gutt: The theory then represents a shift from description to explanation, as elucidated below. Relevance theory is not a descriptive-classificatory approach. It does not try to give an orderly description of complex phenomena by grouping them into classes, but tries instead to understand the complexities of communication in terms of cause-effect relationship Gutt, Towards a Comprehensive, Applicable Theory of Translation It is perhaps a very arduous task to formulate a comprehensive, applicable theory amidst multiplicity, miscellany and disparity of the existing theories.

Nevertheless, We try tentatively to furnish such a theory, depending particularly on some authentic references. When generalizations are universally applicable and predictable they become principles, norms, rules or laws to govern the translation activity. In the same vein, Graham asserts that any substantial theory of translation assumes some formal inquiry concerning the general principles which define an object and specify a method of study, Furthermore, a rigorous theory of translation would also include a practical evaluation procedure.

Bracketing is mine. But instead of one theory which caters for both process and product, Bell p. A theory of translation as a process i. This would require a study of information processing and, within that, such topics as a perception, b memory and c the encoding and decoding of messages, and would draw heavily on psychology and psycholinguistics.

A theory of translation as a product i. A theory of translation both process and product i. This would require the integrated study of both, and such a general theory is, presumably, the long-term goal for translation studies. To the third type, i. Accordingly, translation is a tri- phase activity. In fact, the intricate nature of translation makes it mandatory to relate the product to the tri-phase process As-Safi, , though the constituent phases are not autonomously separate from each other.

First comes the phase of decoding, whereby the original text is analysed for a thorough acquaintance both thematically and stylistically, that is, for full comprehension and stylistic appreciation. The initial step in the textual analysis carried out conventionally and perhaps subcon- sciously by most translators is to segment the text into a number of units: words, phrases, clauses and sentences within each of which the distribution of denotative and connotative meanings are scanned.

A pertinent test of intelligibility is purported by Nida In his "cloze-technique" the reader is provided with a text in which, for example, every fifth word is deleted, and he is asked to fill in with whatever words that seem to fit the context best. The degree of comprehensibility is related to the degree of predictability. It is assumed that the easier it is for the reader to guess the next word in a sentence, the easier to comprehend the word in the given contexts and the greater the number of correct guesses, the greater the predictability and consequently the easier the text.

The second phase is that of "transcoding" or transfer. In most cases, however, equivalence is far from being identical, or as Catford 27 puts it, "nearly always approximate, since every language is ultimately sui generis". Items are said to be equivalent in the two languages when they are interchangeable in a given situation.

Lexically, equivalence appears to rest on the principle of bilingual synonymy: the notion that words are mere labels of real things goes back as far as Plato and carries over to some extent into De Saussure's concept of the sign De Beaugrande, In such a simplified view, translation consists of exchang- ing labels, consulting if need be a dictionary or an informant, and it underlies the awkward, literal or word- for-word transfer and what Dryden terms 'metaphrase'.

Such a view has been recently questioned, by many linguists and celebrated translators, for true synonymy - the property of words to be mutually interchangeable in two contexts — is quite rare for most 'abstract' items, let alone the highly emotive or connotative, the language-specific and culture-specific ones. In consequence, the translator cannot easily or immediately furnish solutions to all problems regarding equivalence albeit resorting to an exhaustive search through all available reference materials.

If an equivalent expression cannot be located, he must find some parallel expression that will yield approximately the same kind of effect produced by the original. Idioms, and figures of speech, such as allegory, metaphor, parable or simile, are cases in point. The metaphor baidha' white in the Arabic expression lailatun baidha' cannot be rendered as such i. Yet even when the task of harmonizing grammatically correct structures is accomplished, the product of transfer may be accurate but perhaps wooden: it is something more than a gloss and something less than a literary work.

The third and final phase is recoding the transferred message in the target language, complying with its linguistic as well as literary conventions of the literary texts so as to be as semantically accurate and aesthetically effective as the original. A translation of a literary work of art can justify itself only when it comes to be a literary work, occupying an appropriate position in the target literature comparable to the status of the original in the source literature and at the same time resembling the original in every respect.

And as Adams puts it, "a proper literary translation does not simply convey to us the elements of the original in such fullness as may be, but conveys them to us in something of the same order and structure of relatedness as the original". If the product sounds mediocre, in other words, if it reads as THE original and not AN original, the translator has not gone far enough in fulfilling his function, that is, his product is lacking in aesthetic values, as it has failed to transmit the literariness and felicity of the original.

The ideas may have been accurately reproduced but aesthetically wanting. This very delicate yet difficult equilibrium intensifies the plight of the literary translator, for his 'recreation' of the original should not render translation as a mere imitation or an artistically embellished 'edition'. For instance, of the three methods of translation which Dryden distinguishes in his preface to the translation of Ovid's Epistles , 'metaphrase' or word-for-word might shackle the translator to the original work whereas 'paraphrase' or sense-for-sense and 'imitation', whereby he abandons the text of the original, both bestow upon him a freedom which would necessarily distance him from the original.

Therefore, one may well concur with Adams 11 , who asserts that literary works are harder to translate than they were to compose, "for the original composition is the art of choosing the exactly right word or expression, and includes the option of changing and modification as deemed appropriate whereas the art of translation is the art of choosing among a set of possible compromises; it simply does not allow that important option".

Given the distinction between micro- level and macro-level problems, strategies can be divided between local ones which deal with text segments and global strategies which deal with the whole texts. Translation strategies can be categorized into general and specific strategies. General strategies: they deal with different text types 4. Specific strategies: they tackle a certain text type, readership and skopos, i. These strategies are of five sub-categories 4. Well, you are gone both ways.

Mutran: , , : :. Amin goes so far in his domestication as to allude to a common Arabic proverb: , :. Obviously Amin is alluding to the Arabic poetic line: It corresponds to the English proverb: Out of the frying pan into the fire. Compensation strategy. Compensation is, according to Sandor Hervey and Ian Higgins , the technique of making up for the translation loss of significant features of the source text henceforth ST approximating their effects in the target text henceforth TT through means other than those used in the ST, that is making up for ST effects achieved by one means through using another means in the TL.

In translating most of the jurisprudential maxims, loss is apparently inevitable ; hence this strategy has been maximally utilized. This strategy can be categorized into four sub-strategies ibid to which we add a fifth one. Compensation in kind Compensating for a particular type of a textual effect deemed to be untranslatable into the TT by using a textual effect of a different type in the TT.

Compensation in place Compensating for the loss of a particular textual effect occurring at a given place in the ST, by creating a corresponding effect at a different place in the TT. An instance for this compensatory strategy is employed to make up for an inevitable loss such as figures of speech pertaining to schemes or tropes, as in compensating for the loss of alliteration by employing assonance or vice versa.

Compensation by Addition To compensate for the inevitable loss in the translation of Du a Al-Karawan The Call of the Curlew with its poetic style and highly classical and Quranic language, we have painstakingly attempted to achieve some gains by adding, for instance, an idiom or a metaphor that has no counterpart in the original, as exemplified in 6. Strategy of Elaboration and Explication In order to communicate the original message in an intact manner to the recipient, the translator sometimes resorts to elaboration or explication.

Anani has replaced the proper noun by what it means in Arabic: By utilizing the strategy of addition, it can be rendered as 4. Strategy of Approximation and Compromise : This strategy endeavours to create an equilibrium or balance between the SL aesthetic and cultural values which are acceptable or unacceptable in the TL.

In many cases, only an approximation, rather than complete translation, is possible in order to present a natural, acceptable rendition.

Interpreting Strategies 4. Syntactic Modification Strategy To eliminate or reduce delays and to counter the risk of lagging behind the SL speaker, the interpreter starts simultaneously uttering before he perceives the whole idea. This entails carrying out certain syntactic adjustments. For example, in interpreting from English into Arabic, the interpreter employs a nominal sentence SVO , usually beginning with the particle inna rather than the normally preferred verbal sentence in Arabic VSO.

By doing so, he ould reduce the time required to wait until the speaker utters the verb that might follow a long noun phrase with sometimes embedded phrases and clauses, e.

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Lining up or Queuing Strategy According to this strategy, the interpreter delays rendering a less significant information segment amidst a heavy load period of piled up information and then catches up in any lulls that occur later.

EI- Shiyab and Hussien, ; This strategy may assist the interpreter to reduce lag, but the delayed segment may not be cohesively compatible with the whole flow of delivery and thus may disrupt the thematic progression.

Interpretation: This incident is different from other incidents, for it is distinguished from previous ones in its gravity of consequences. Translation: This incident, unlike others, has unprecedented consequences. Approximation Strategy When the interpreter does not find a direct TL equivalent or fails to remember it, he can produce an alternative that has common semantic features, e.

Borrowing Strategy To cope with the speaker and maintain a rapid pace of delivery, the interpreter may have recourse to loan words through transliteration, e.

Ellipsis Strategy It is a strategy of reduction whereby some SL words are deleted when they are believed superfluous, repetitious or redundant, e. I see you later. He is dead and you alive.

Ideally, equivalence is a bilingual synonymy or sameness based on lexical universals and cultural overlaps As-Safi, Baker rightly maintains that equivalence is a central concept in translation theory, albeit certain miner controversies about this concept. Equivalence relationships are also believed to hold between parts of STs and parts of TTs. Many theorists think that translation is based on some kind of equivalence depending on the rank word, sentence or text level.

It must be acknowledged here that this equivalence in Arabic and English is in many cases unattainable on all levels. She bases typologies on Koller who presents what he calls text-normative equivalence in which the SL and TL words have the same effect on the SL and TL readers, which he also calls pragmatic equivalence ibid.

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